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style / Field Shirt Two

cloth / Top Dyed Cotton Kersey

Price / 

Regular price $925
Regular price Sale price $925
Sale Out of stock
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Size

A fully lined boxy overshirt with dropped shoulder seam, lined chest patch pockets with button-through closure, interior patch pocket, and corozo buttons. A looser fit than the original Field Shirt, but both feature a larger neck opening, to nest cleanly when layered over a buttondown.


Hand numbered edition made in Japan.

An impressively dry and dense 100% cotton kersey twill weave. The cotton was custom top-dyed in a dark greyish olive tone before spinning, resulting in a heathered yarn that brings nuance to the finished cloth. Woven in Japan.
Ryan is 6' and wearing a size medium, Sarah is 5'8" and wearing a size extra small.
Hand or delicate machine wash cold, hang dry.

Write info@evankinori.com if you have further questions.

Driving the quiet backroads of Ichinomiya in Aichi Prefecture, Japan, it becomes hard to ignore the recurring vernacular of small shed roof warehouses clad with corrugated steel and high clerestory windows - once you recognize the shape of these structures you begin seeing them everywhere. They are emblematic of a bygone era as many are now defunct, but there are still a few independent small mills continuing the tradition of wool weaving that was established in the late 19th century after the region shifted away from producing cotton textiles. 

Located in the heart of the Bishu region, Ichinomiya is recognized as one of the world's leading premium wool textile producing areas alongside places like Biella, Italy and Huddersfield, UK - all sharing a relationship to local waters that aided in wool production. For Ichinomiya, the Kiso River has long provided clean, soft water, ideal for washing, dyeing, and finishing wool textiles.

Founded in 1964, Yamaguchi Keori features all the characteristics of the small-scale Bishu weaving operations that have survived the decades of shifting landscapes in Japan’s textile industry. Mr. Yamaguchi was 20 years old when he started the business, and primarily worked alone with less than a dozen looms, until his son joined him 30 years ago. The pair continue to manage a consistent output of some of the most beautiful textiles we’ve had the pleasure and privilege of working with. 

In the weaving mill attached to their house, the iconic roof pitches were designed to let in a maximum of natural light from above. Both the house and the mill open onto a courtyard garden, providing the central space between work and home. Next door sits a small but immaculately cared for Buddhist temple, offering a unique balance to the ageing mill with its exquisite patina and open windows transmitting the deep hum of vintage power looms.

More photos and a video from our visit can be found in the notes section of the site.

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